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"Fabrice Hyber"

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Valz
© » KADIST

Fabrice Hyber

Drawing & Print (Drawing & Print)

Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works. The artist uses accumulation, hybridization and mutation to create constant shifts between extremely varied domains. Each work is just an intermediate, evolving stage of this “work in progress” that spreads like a proliferation of thought, establishing links and exchanges that then help to create other connections.

Cellman
© » KADIST

Fabrice Hyber

Painting (Painting)

The works of Fabrice Hyber provoke divergent ways of thinking. In a kindred spirit with Raymond Hains, image and writing are intertwined. Drawings and diagrams are visually direct, as shown in the series of “Peintures Homéopathiques” (“Homeopathic Paintings”), collages covered in transparent resin (1986-1988).

Residential apartments/ water reserve & wind towers on Sayad highway, Fabrications
© » KADIST

Nazgol Ansarinia

Sculpture (Sculpture)

In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades. The municipality of Tehran uses such pictorial representation to to exert influence over and come to terms with the flow of communal desire. The protrusion of the unreal onto the real interrupts the values, independence, and functionality of one over the other.

Sin Título (T4)
© » KADIST

Maria Fernanda Plata

Sculpture (Sculpture)

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle. Her careful meditations in fabric reflect Plata’s ongoing interest in the relationship between people and their environments, in fragility, systems, and destruction.

Te Tiriti o Waitangi
© » KADIST

Nikau Hindin

Textile (Textile)

Maori barkcloth making is the central artistic form in the Pacific, and still at the core of cultural expression in many Pacific countries. However, Maori barkcloth making ceased to be practiced in the nineteenth century, at the same time as the arrival of European colonists. Completed barkcloth works often represent another complex Pacific Indigenous accomplishment, the sophisticated system of celestial mapping used in the cross-Pacific navigation that led to the expansion of a vivid pan-Pacific civilisation, thriving before colonial disruption.

Les allégories
© » KADIST

Chloé Quenum

Sculpture (Sculpture)

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.

Edward
© » KADIST

Josh Faught

Sculpture (Sculpture)

Some of Faught’s works have been inspired by the ad hoc monuments created at gravesites in San Francisco’s Neptune Society Columbarium, where many victims of the AIDS epidemic were laid to rest. The personal objects, mementos, and offerings left in the cemetery have become something of an archive of a particular moment in queer history and the gay community in the city. His 2014 sculpture, Edward , is part of a larger series of works that Faught has made to memorialize (or simply recall) his past lovers.

Captain X
© » KADIST

Luke Butler

Drawing & Print (Drawing & Print)

In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment. However, Kirk’s passive pose doesn’t so much suggest the aftermath of a battle as it does heavy contemplation, depression, or utter despair. Captain X is part of a series of paintings depicting various Star Trek characters who are stricken with human emotion-—a tactic that diminishes the mythological grandeur associated with this heroic captain and his indefatigable crew.

Making Fantasies
© » KADIST

TU Pei-Shih

Film & Video (Film & Video)

Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture. By fabricating narrative and aesthetic connections between the images on three channels, Pei-Shih questions the objectivity and truth telling of photography.

Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

Fabiola Torres-Alzaga

Drawing & Print (Drawing & Print)

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19thcentury sideshow, more than the contemporary art world. In her delicate drawings, Adaptando la Carta, layers of tracing paper reveal different hand positions, concealing and revealing a playing card hidden among the curves of the magician’s hand.

Soft Rock Valley
© » KADIST

Zon Ito

Painting (Painting)

This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.

Untitled (blue)
© » KADIST

Chris Duncan

Painting (Painting)

Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.

Gradation
© » KADIST

Arabella Campbell

Photography (Photography)

In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe. Through a curatorial act of collection and arrangement, Campbell alchemizes discrete instances of color, fabricating a gradient. Viewed alone, each berry would be unremarkable.

A Slap in Wuhan
© » KADIST

Li Liao

Film & Video (Film & Video)

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.

Yatra
© » KADIST

Sarah Navqi

Textile (Textile)

A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses. Traditionally, the images would be painted onto a piece of cloth found in the temple. Also known as the “kalamkari” (a hand-painted or block-printed cotton textile), “mata ni pachedi” literally translates to “behind the mother goddess”.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

Anonymous
© » KADIST

Laura Lima

Textile (Textile)

Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns. Visually, the work evades more complex descriptions, demanding a separate set of conventions to describe its semi-textural, semi-sculptural surface. Lima’s principle of demanding alternative descriptive conventions and exploring the experiential dimension of interacting with her work is fully visible in Anonymous , which is in many ways best qualified, in its sheer variety of shapes and textures, by its title.

A woman you thought you knew
© » KADIST

Sin Wai Kin

Drawing & Print (Drawing & Print)

A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Phenomena
© » KADIST

Yang Xinguang

Sculpture (Sculpture)

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.

Resiliencia Tlacuache / Opossum Resilience
© » KADIST

Naomi Rincón-Gallardo

Film & Video (Film & Video)

Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession. Together, they summon the powers of fire and joy so that the opossum conjures its ability to play dead and resuscitate in extractivist areas. The work reanimates Mesoamerican fables about time and territory where the four characters—Hill, Opossum, 9 Reed (Mixtec cave deity), and Agave/Mayahuel (Moon and Pulque Goddess)—create a space for conceptual intervention through performative action and popular music.

Unfinished Return of Yu Man Hon
© » KADIST

Cici Wu

Installation (Installation)

Unfinished Return of Yu Man Hon by Cici Wu is delicate, but physically much more robust than Cici Wu’s earlier works. What continues is the sense of longing, of something unresolved; it is haunting, like the images from a dream that we try to remember upon waking up. Unfinished Return of Yu Man Hon revolves around the story of a developmentally challenged young boy, who purportedly disappeared during the handover of Hong Kong by the British to Chinese governance.

Patient Admission, US Naval Hospital Ship Mercy, Vietnam
© » KADIST

An-My LE

Photography (Photography)

The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture. In the background, the steel pillars creates a division of space implying a separation the two men according to their geographic regions of origin or residence, their vocations, their ethnicities, and their attitudes toward war. Yet, the mirrored body language of the two characters also suggests their reconciliation into a dialogue perhaps characterized by the protagonists’ physical and spiritual conversation.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Iron Sorrows
© » KADIST

Alexis Smith

Sculpture (Sculpture)

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots.

Stowe
© » KADIST

James Welling

Photography (Photography)

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.

Tell me everything you saw, and what you think it means
© » KADIST

Sin Wai Kin

Film & Video (Film & Video)

The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Freedom Farming
© » KADIST

Li Binyuan

Film & Video (Film & Video)

Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land. He attempted to physically open a space for conversation with the generation of his parents. On the second day, villagers that were gathering in the field, including his mother, started to watch a strange event: Li Binyuan’ s 2-hour long jumping and falling in his land until he finally stopped, exhausted.

Trinity
© » KADIST

Wang Mowen

Film & Video (Film & Video)

In Trinity , Wang Mowen uses video to tell the story of a young woman who wants to know the whereabouts of a person born sixty years ago. She visits three fortune tellers and provides the person’s birth date. Each psychic deliberates and comes to the correct conclusion that the woman in question is the seeker’s mother.

Not This Time
© » KADIST

Margo Wolowiec

Drawing & Print (Drawing & Print)

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world. In order to produce this work, Wolowiec selects a grouping of digital images from web-based sources that have a glitch, an aberration in which a short-lived technical fault results in distortions in an image’s display. Through a dye sublimination ink process, the images are printed onto strands of thread pixel by pixel, which the artist then weaves into a final work.

Jonas Bendiksen

Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...

Sawangwongse Yawnghwe

Sawangwongse Yawnghwe comes from the Yawnghwe royal family of Shan...

Subas Tamang

Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Joana Hadjithomas & Khalil Joreige

Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...

Rocky Cajigan

Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

Baseera Khan

Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...

Fabrice Hyber

In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...

Goldin+Senneby

Since 2004, the artists Goldin+Senneby, comprised of Simon Goldin and Jakob Senneby, have been working on an ongoing performative and rhizomatic project...

Thomas Kilpper

Margo Wolowiec

Margo Wolowiec uses her multidisciplinary practice to examine space, material versus conceptual practices, and affective responses...

Marwan Rechmaoui

Chris Duncan

Chris Duncan employs repetition and accumulation as a basis for experiments in visual and sound-based media...

Choi Jeong-Hwa

Alexandre da Cunha

Josh Faught

American artist Josh Faught uses weaving, knitting, and crochet as means to making in his textured and evocative sculptures...

Jesse Krimes

Jesse Krimes is an artist, curator, educator, former inmate, and activist whose work tackles and fights the US prison-industrial complex...

Zon Ito

Zon Ito was born in 1971 in Osaka...

Natan Lawson

Producing hybrid artworks at the intersection of drawing and painting, Natan Lawson’s work exists in between hand-made and computer-processed...

Patricia Belli

Since the 1980s, Patricia Belli has been a driving force behind the rise of experimental work in Nicaragua...

Karan Shrestha

Karan Shrestha’s practice portrays the social tensions and historical complexities embodied in the social fabric of Nepal...

Rodney McMillian

Egle Jauncems

Egle Jauncems’s practice considers the relationship between painting and textile art...

Leila Weefur

Leila Weefur is an artist, writer, and curator whose practice considers the complexities of phenomenological Blackness through video, installation, printmaking, and lecture-performances...

Pia Camil

Louisa Bufardeci

Louisa Bufardeci is fascinated by the way our world is visually materialized through data measurement...

Eddie Arroyo

Eddie Arroyo is a painter who documents residential and commercial structures that will soon be replaced by new development, chronicling the negotiations of the cultural, social, and economic fabric of a community...

Diego Marcon

Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation...

© » SLASH PARIS

this quarter (02/07/2024)

Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Fabrice Gygi — Quelques nouvelles… Exposition Peinture, sculpture Fabrice Gygi, Quelques nouvelles…, vue d’exposition, Galerie Chantal Crousel, Paris (2024)...

© » SLASH PARIS

this quarter (02/07/2024)

Fabrice Gygi — Quelques nouvelles… — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabrice Gygi — Quelques nouvelles… — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabrice Gygi — Quelques nouvelles… Exhibition Painting, sculpture Fabrice Gygi, Quelques nouvelles…, exhibition view, Galerie Chantal Crousel, Paris (2024)...

© » HYPERALLERGIC

this quarter (02/05/2024)

Two Pratt Graduate Programs Moving to Brooklyn Navy Yard Skip to content A view of Dock 72 with construction cranes in the background (photo by Rhea Nayyar/ Hyperallergic ) Two of Pratt Institute’s graduate programs are decamping from the Pfizer building in Bedford-Stuyvesant for a bayside view and expanded facilities at the Brooklyn Navy Yard later this year...

© » ARTSY

about 3 months ago (01/30/2024)

David Hockney pool painting, estimated at $20 million, will go on sale at Christie’s...

© » DIANE PERNET

about 3 months ago (01/19/2024)

A unique fusion of fashion and artistry, HOMME PLISSÉ ISSEY MIYAKE “Immersed in the Wilds of Creativity” – A Shaded View on Fashion Dear Shaded Viewers, At first when I walked into the Palais du Tokyo, I thought that there were childlike paintings on the walls...

© » ARTOMITY

about 3 months ago (01/05/2024)

Lawrence Carroll – ARTOMITY 藝源 Whispers of the Soul / Villepin Gallery / Hong Kong / Nov 26, 2023 – Feb, 2024 / In an art market flooded with so much noise, it’s easy to overlook the work of Lawrence Carroll...

© » WALLPAPER*

about 4 months ago (12/17/2023)

Tour La Maison Blanche by Cream | Wallpaper (Image credit: Cream) By Ellie Stathaki published 17 December 2023 Architect Antony Chan’s newest project, La Maison Blanche, is an apartment transformation tailor made for the scheme's location and long vistas – as it sits nestled high above the rooftops in the mid-level area of Hong Kong...

© » WALLPAPER*

about 4 months ago (12/12/2023)

American Express explores the meaning of play | Wallpaper The Miami installation debuting Play by American Express Platinum during Miami Art Week 2023 (Image credit: Courtesy American Express) By Tilly Macalister-Smith published 12 December 2023 In celebration of Design Miami and Art Basel Miami , American Express has commissioned four young artists and designers - Eny Lee Parker, Surin Kim, Serban Ionescu, and Kumkum Fernando - to reinterpret childhood toys into iconic limited edition collectibles...

© » AESTHETICA

about 4 months ago (12/12/2023)

Aesthetica Magazine - Meshes of Resistance Meshes of Resistance International photographer and social practice artist Spandita Malik (b...

© » WALLPAPER*

about 4 months ago (12/12/2023)

B&B Italia Miami studio opens with re-edited Camaleonda sofa | Wallpaper (Image credit: Emilio Collavino) By Adrian Madlener published 12 December 2023 Stella McCartney’s iconic S-Wave monogram has become synonymous with her sustainability-forward brand...

© » OBSERVER

about 4 months ago (12/11/2023)

Off-Basel Highlights from Miami Art Week 2023 | Observer For the hardcore art aficionados who recently descended on the 305, Miami Art Week is about much more than what’s on view at Art Basel...

© » CONTEMPORARYARTDAILY

about 5 months ago (12/01/2023)

Documentation of Zuza Golińska at KIN, Brussels is featured on Contemporary Art Daily....

© » FLASH ART

about 5 months ago (11/28/2023)

Anna Boghiguian "A Clown Jumped into the Arena" Franco Noero / Turin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Animals — Galerie Loevenbruck — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Animals — Galerie Loevenbruck — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Animals Exposition Techniques mixtes Vue de l’exposition Animals, galerie Loevenbruck, Paris © Photo Fabrice Gousset, courtesy Loevenbruck, Paris Animals Encore environ un mois : 17 novembre 2023 → 20 janvier 2024 « Animals » est une exposition collective qui rassemble des œuvres d’art de différentes cultures et époques, toutes explorant le thème de la figure animale...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Animals — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Animals — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Animals Exhibition Mixed media Vue de l’exposition Animals, galerie Loevenbruck, Paris © Photo Fabrice Gousset, courtesy Loevenbruck, Paris Animals Ends in about 1 month: November 17, 2023 → January 20, 2024 Animals is a collective exhibition that brings together artworks from different cultures and periods, all exploring the theme of the animal figure...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Gilles Aillaud — Acquisitions récentes — Galerie Loevenbruck — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Galerie Loevenbruck — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Gilles Aillaud — Acquisitions récentes Exposition Peinture Vue de l’exposition Gilles Aillaud...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...

© » ARTPRESS

about 5 months ago (11/22/2023)

sommaire du n°516 - décembre 2023 - artpress X 22 novembre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°516 – décembre 2023 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour décembre par ici ! Édito 5 Une angoisse métaphysique effrénée Unbridled Metaphysical Anguish Catherine Millet INTRODUCING 6 Dora Jeridi Anna-Livia Marchaison Chroniques / Columns 11 L’art dans son contexte....

© » ARTOMITY

about 5 months ago (11/07/2023)

Katie Graham at Major Pop Gallery – ARTOMITY 藝源 Katie Graham A Deep Sense Nov 9 – 19, 2023 Major Pop Gallery G/F, 54 Sai Street Sheung Wan, Hong Kong +852 6639 9903 Tuesday – Sunday, 1pm – 7pm @bykatiegraham.com Katie Graham’s paintings made of silk, ink, linen and thread, have a deep sense of layered and tactile artistry...

© » ARTPRESS

about 6 months ago (10/30/2023)

Table des matières "L'humour de l'art" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “L’humour de l’art” > COMMANDER LE VOLUME 4 Préface Étienne Hatt 11 Présence Panchounette...

© » BOMB

about 6 months ago (10/20/2023)

BOMB Magazine | Julius-Amédée Laou Necessary (Required) Cookies that the site cannot function properly without...

© » ART AND CAKE

about 10 months ago (06/21/2023)

In the Artist’s Studio – A Photo Essay – Art and Cake June 20, 2023 June 20, 2023 Author In the Artist’s Studio – A Photo Essay Julie Lipa https://julielipaartist.com/ @julielipaartist My shop only looks this clean and tidy after I’ve finished a piece and I need a clean slate to start something new...

© » ART AND CAKE

about 10 months ago (06/21/2023)

In the Artist’s Studio – A Photo Essay – Art and Cake June 20, 2023 June 20, 2023 Author In the Artist’s Studio – A Photo Essay Julie Lipa https://julielipaartist.com/ @julielipaartist My shop only looks this clean and tidy after I’ve finished a piece and I need a clean slate to start something new...

© » ART AND CAKE

about 10 months ago (06/21/2023)

In the Artist’s Studio – A Photo Essay – Art and Cake June 20, 2023 June 20, 2023 Author In the Artist’s Studio – A Photo Essay Julie Lipa https://julielipaartist.com/ @julielipaartist My shop only looks this clean and tidy after I’ve finished a piece and I need a clean slate to start something new...

© » ARTS EQUATOR

about 17 months ago (11/16/2022)

Chair Stories | ArtsEquator Skip to content In this visual essay, puppet maker and designer Daniel Sim, begins with a set of rejected stage chairs, and ends up on a lyrical journey through Singapore's theatre history...

© » ARTS EQUATOR

about 18 months ago (10/13/2022)

10 Things You Should Know About: Batik | ArtsEquator Skip to content In the latest episode of our popular 10 Things You Should Know series, we share facts about batik, a fabric popular in Southeast Asia...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Inspired by her native Sierra Leone, this designer’s Victorian home is full of vibrant fabrics and West African touches...

© » HIGH FRUCTOSE

about 52 months ago (01/23/2020)

Bisa Butler offers new narrative quilts with two exhibits this spring, at Claire Oliver Gallery and her first solo museum effort at The Katonah Museum of Art...

© » HIGH FRUCTOSE

about 52 months ago (01/22/2020)

Daisy Collingridge crafts wearable, stitched suits inspired by what's contained beneath our skin...